Gerard David
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David Lamentation oil painting


Lamentation
mk170 1515-1520 Oil on oak 63x62.1cm
Painting ID::  42928 		Gerard David
Lamentation
mk170 1515-1520 Oil on oak 63x62.1cm
   
   
     
Gerard David THe Virgin and Child with Saints and Donor oil painting


THe Virgin and Child with Saints and Donor
mk170 circa 1510 Oil on oak 105.8x144.4cm
Painting ID::  42929 		Gerard David
THe Virgin and Child with Saints and Donor
mk170 circa 1510 Oil on oak 105.8x144.4cm
   
   
     
Gerard David Maria with child oil painting


Maria with child
mk186 1515 Brussel, Musees Royaux of the Beaux-type
Painting ID::  45500 		Gerard David
Maria with child
mk186 1515 Brussel, Musees Royaux of the Beaux-type
   
   
     
Gerard David The wedding to canons oil painting


The wedding to canons
mk186 1500-03 Paris muse you Louvre
Painting ID::  45510 		Gerard David
The wedding to canons
mk186 1500-03 Paris muse you Louvre
   
   
     
Gerard David Vila during the flight to Egypt oil painting


Vila during the flight to Egypt
mk234 about 1510 44x45cm
Painting ID::  53678 		Gerard David
Vila during the flight to Egypt
mk234 about 1510 44x45cm
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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